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James is Lecturer in Early Music at the University of Edinburgh, teaching music history, theory, and analysis. His particular foci are cultural exchange between England and Europe and the Mass cycle.
James is also interested in the representation of early music on stage and screen, be that the use of ‘real’ early music in multimedia productions, the imaginative re-scoring of historical dramas, or even the popular medievalism of the fantasy genre. He was co-founder of the REMOSS (Representations of Early Music on Stage and Screen) study group which organises regular roundtables and conferences in this area.
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